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Intimate reflections

Does burlesque objectify women?

11/18/2014

1 Comment

 
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This is such an important question to ask. The significance is really even in asking the question. I’m  proud to work in a professional community of artists that engages in rigorous dialogue around this question often. 
As I define it, objectification is the act of treating a person as a thing, disregarding their dignity. It is disregard a person’s intellectual, emotional, and spiritual abilities. It is an act that minimizes agency and the voice of a person. I’m certainly not speaking for every burlesque artist on this matter. I can only speak for the work of Sinner Saint, my troupe. We believe our work does the opposite of objectify women...it re-humanizes women. 

Our performances are designed to give voice to the multifaceted qualities, personalities, stories and experiences of women. Through embodied story-telling we challenge internalized oppression, and explore the range of experiences being human what has to offer. The key defining part is that we create empathy between ourselves and an audience. We reconnect the intellectual, emotional and spiritual self to the physical body. 

It’s a common belief that burlesque is for the consumption of men. People believe that if we as women are performing a piece that is sensual, sexual, or in any way erotic in any fashion, that it is for the attention, acceptance and consumption of men. Again while I can’t speak for every performer, I know that for my troupe, for Sinner Saint, that is not true.

It is a rare thing to see an example or an archetype, of an actualized, embodied, woman full of agency. It is unusual to see that kind of vulnerability, pleasure, creativity and power presented through the female lens. 

I believe the world can be a place where women are looked up to as business, political, community and spiritual leaders…and I believe that those women are also sexual creatures. They have the human right to be sexual beings - to be powerful, and to be credible at the same time. 

The work I do with my art is an attempt to create prototypes of what that kind of woman looks like. I don't have those role models.  

For me burlesque isn't about replicating a distorted ideal of 'sexy' and commodifying the female body. I want to inspire women to restore their wholeness and celebrate their femininity on their terms. I want to uncover and examine the stories about how women are allowed to express and experience their bodies, their desires, their pleasure and their erotic energy. Who is creating those stories, and for what purpose? Then I want to ask the big question: What stories it is going to take to reclaim our bodies, and our power? 
1 Comment
Delilah link
3/3/2015 05:55:03 am

Delilah here, my back ground; I’m known as one of the leading pioneers in American belly dance scene. I have been a belly dancer for 42 years starting in the early 70’s when it became massively popular. I have danced all over the world, have a video series and presently teach and dance with the Live music ensemble “House of Tarab”.

Belly dance faced many of the same questions and issues as neo burlesque. However, most belly dancers got into it because of the women’s lib movement. We were burning our bras, taking birth control pills, postponed having families, went to college and started careers. We took belly dance because as American women we could! We were free enough to tackle all sorts of dances; flamenco, hula, salsa, tango. . .why not belly dance? (Non of these are easy options in the Middle East today). A couple beats later after taking a few courses at the local Jr College I got the back lash : “ aren’t you objectifying women by being a belly dancer and placating men? Women in the country of origin are pictured as slave girls and harem slaves. Men call all the shots and are sitting around on satin pillows. Many dancing women faced this question and on face value couldn’t rectify these issues in their heads and left the dance form. What? I hemmed and hawed and stepped and stammered and then a realization came fourth that changed the course of my life and lead to a full on career in belly dance. Belly dance is the most liberating thing a woman can do! Are you kidding the belly dance is a woman’s dance. You don’t even need a partner! The dancer defines her own dance right in the moment at hand . It’s not choreographed by some ballarino off stage some where! She learns to give a voice of expression to every part of her body. That’s liberating! The time had come for the ancient belly dance to rise to the forefront of women’s consciousness as liberating because it had arrived on completely different soil composition. The ingredient was Woman’s Freedom!

I looked around and as the weeks turned into years of involvement and as evolution of belly dance in America grew, I underwent incredible personal growth of my own though the dance! It was a far cry from objectifying women it was exactly what Cat and Sinner Saint say; it’s about re humanizing women. The belly dance is the ancient Mother, the matrix or women beginning to discover their own brand of power instead of copying mens brand of power!

Robert Lawlor explained in a book called Earth Honoring: The New Male Sexuality (1991). While men and women need equal rights, women and men are not equal. Men and woman have evolved differently. We are wired differently. The boardrooms, the Congress, the law schools, the corporate models are not modeled for women. It’s like handing a left handed person, right handed scissors. In addition to being individuals; men and women are “unique”.

So back to belly dance: I looked around and it was women taking the classes, intrigued about how to express themselves in their female bodies and dragging their partners to the ethnic restaurants to watch the belly dance. In the ethnic restaurants I worked in, it was families in attendance. Americans and ethics, live music, folk dance and the star of the show was the belly dancer. There was nothing weak or placating about my dance! Everyone wanted to see the belly dancer. Men women and kids.

Since I discovered neo burlesque, I have dragged plenty of friends men and women to the burlesque rooms in Seattle in the past 12 years. It’s the same revolution!

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